the conway stewart dandy – a review

I bought this new-old-stock Dandy for a good price – especially considered that they are a little tricky to get by right now since they are discontinued – especially lever fillers with silver trim as this. The colour is officially called Bronze – but I call it toffee or almond-brittle-brown. It really looks delicious.

Design

The Dandy has, with its flat top cap,  the old-fashioned clip and its straight and slightly tapered barrel a design that reminds of the 1920’s and 30’s where flat tops were in fashion.  I have a soft spot for this classic design with rather straight lines and really love the shape of it. One detail that I particularly like is the end part of the cap that is engraved like the side of a coin. A simple detail that brings character. This is a pen made with great attention to detail.

Even the lever filler has a little emblem engraved on it and it fits perfectly in place.  It is utterly elegant without being blingy – the essence of British style. Today’s Dandy  can be traced back to the Dandy that was manufactured during the 1930’s and 1940’s by the original Conway Stewart,  which closed 1975. The Conway Stewart of today is a revival of the old company. It was established in the beginning of the 1990’s – aiming to revive and develop the heritage from Conway Stewart and it and started its regular production in the end of the 1990’s.  If you’re curious about Conway Stewart’s history and their vintage pens – take a peek here.

The nib

I longed for one of Conway Stewart’s medium italics and that longing was what made me look for a Dandy (or Duro or Churchill) for a good price. This had a broad nib when I bought it, but I simply can’t write legible or fast with a round broad, so before I bought it I actually checked if the nib could be swapped without costing a fortune. The Dandy is out of production, but when I asked the repair centre in Plymouth, they still had medium italics in stock and was willing to swap my broad to a medium italic nib for a low fee (£10 to cover return shipping and handling) without fuss. If that hadn’t been possible I hadn’t bought the pen. Even if it could be ground to a medium italic by a nibmeister I particularly wanted an original factory italic – they are very pleasant to write with. And – despite some initial problems with the flow, which probably were due to that it was  new old stock that hadn’t been used it was precisely the nib I had longed for. Smooth and pleasant – nice to write long letters with. The line variation is somewhere between a stub and a cursive italic and I think it balances well between line variation and ability to write fast. No digging into the paper. I really like this nib. The one thing I miss is purely aesthetical: a breather hole would bring some character. A little diamond-shaped breather hole – just like their trademark – would be perfect. This is one of Conway Stewart’s best features: that they not only offer one italic in addition to the traditional   F/M/B; they offer italics in three sizes as well (except for the Coronet, but I’ve already written about that).  Considered to which price segment their pens belong I find it natural to offer more than standard options to choose between.

Filling system

The Dandy originally came as a lever or a cartridge/converter filler. This one is lever filled. The lever works well and smoothly and it is rather easy to fill and flush. I also like that it is possible to resac a lever filler without being a whiz on pen repairs. The big drawback is that it is impossible to see the ink level, which I find frustrating. This stylish lever does add  character and refinement, so I do like it in this pen – beauty beats function for once.

Quality & Overall function

As mentioned above: This is a well made pen. It is a smallish medium sized pen that is comfortable to grasp – I like the section very much. Everything fit together well. The cap sits quite securely, but might unscrew if worn in a shirt (I never wear pen in shirts or pockets). It posts very well and is well balanced to write with both with and without the cap posted. It is made to be used – not to be eye candy only, which I like. The acrylic it is made of is really beautiful and has a lovely cracked pattern – partly shimmering, semi-translucent and with a broad spectra of beautiful warm, brown hues. It looks spectacular in bright, warm light – all lights.  The clip works fine – it might be a little too tight, but that is better than the opposite. Well made – it feels like it have been put together by a skilled hand.

In all

I know that I often speak of my pens as being iconic and I’m afraid that I have to say that even this is a little icon. Not with such an impact as the Montblanc Meisterstück or as futuristic and original as the Pilot M90, but as an icon for classic, British pens. It is therefore a pity that Conway Stewart decided to discontinue the Dandy – one of their true classics with roots from the 1930’s – which also is the perfect little sibling of the Churchill.

It is almost equivalent of Montblanc choosing to discontinue the cigar-shaped Meisterstück. Ironically the Dandy Heritage (a truly beautiful pen) is one  five nominees to Pen Worlds Reader’s Choice Award 2010 in the category “Brand Icon – The pen that is most true to its brand tradition”. Hopefully Conway Stewart catches the message  and reinstate Dandy in the regular production again.

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nib choices – now and then

Buying the Lamy 27 – which happened to have a medium oblique nib – made me fall in love with this kind of streamlined design from the sixties and the oblique that it was equipped with. An stubbish/italic kind of oblique that at the time was a part the regular range of most (German, at least) pen manufacturers with pride and self respect.

This buy made me crave for more and this search opened my eyes for the Montblanc 22 – a lot because of its original and beautiful semi-hooded nib. As bleubug kindly pointed out in a reply to the first post about these pens, the 22 was designed by Albrecht von Goertz – a man who also designed the BMW 507 – a beautiful sportscar and a special grand piano to celebrate the 125 year anniversary of  the iconic piano maker Steinway & Son’s factory in Hamburg. A man with many talents who – in the MB 22 managed to unite the classic features of Montblanc with a modern shape. Even if the Lamy 27 – which is a pen that is also original – and the MB 22 share the basic characteristics they are both two unique pens. The Lamy 27 has its rounded rocket windows and the MB 22 has its special nib design (which it also shares with the more upmarket Meisterstück version n0 12 & 14).

That is that about the design – at least for now. By sheer luck I managed to buy a couple of MB 22 for bargain prices. The nib sizes weren’t listed, but I thought that for such a good price as I got them for I’d be happy if they worked and had an OK nib. Both worked and both sported Oblique/stubby nibs. One of them is definitely a medium or broad oblique and one might be a regular broad that performs like a stub or a very diminutive oblique.

The nibs wrote excellent right out of the box (OK I had to clean them, but no other measures were necessary) which is more than one can say of many new, modern pens. And all three nibs are made of 14 k gold and it is clear that they are made to write with – everyday writing. Since they are rather narrow obliques they suit very well for fast note taking without digging into the paper and they bring character and (I hope) some refinement and control to my scribblings when I take notes. These are pens built to be used, but also with a lot of thought put into the design – of both the pen bodies and the nib. Broad range of nib choices and semi-hooded to make it possible to put the pen aside for a moment without it drying out.

These nibs – the broad range of nibs that were offered when fountain pens were still made to be used as tools also – once again – highlight the question why current manufacturers (some already know what will come now…sorry) do not offer more than F/M/B nibs in most cases – not even on pens in the higher price levels. The British manufacturer Conway Stewart has taken this a bit further with their recent Coronet series, which is their “entrance level”/budget pen with a price around £220/$300 if you buy it from an internet dealer. They only offer this pen with a medium nib without any option to send it in for a change. This for a pen that carries a price tag that, even if CS consider it a budget pen, still makes the pen belong to the expensive/luxury division. Imagine BMW or Audi doing the same with motor alternatives on one of their “cheap” cars. One dealer has been able to cut a deal with CS and offer it with their full range of nibs for a limited time – that is good, but not enough. I like many of CS classic designs, but find it very parsimonious and ungenerous to offer a pen at that price level with only one nib option – especially when it is a company that carry three sizes of italics. Very ungenerous in fact. I can understand why the Pelikano Jrs are made with one kind of nib – they are cheap (well made) pen for children who is learning to write. To apply the same policy on a high end product is…not so clever.

The big hope when it comes to nibs is the Italian pen companies where particularly Stipula and Aurora offers a broad range of nibs for most of their (standard) pens. Of course one can always send the pen to a nibmeister for customization, but when I buy a new pen I don’t want to send it off to get the nib as I want it. I think all the pen manufacturers who consider themselves as manufacturers of writing tools should consider to widen their horizons a little and see the potential in broadening the nib ranges and market fountain pens as the individualistic alternative to plain ballpoints and roller balls. Why buy a fountain pen if it comes with the same narrow options when it comes to the tip/nib width and character as a ballpoint or a roller ball?

‘I’d be very happy (and grateful) if you would like to share your own views on this matter by making a comment.  :)

Posted in fountain pens, lamy, montblanc, pens, photo, writing | Tagged , , , , , , , , , , , , , , , , | 11 Comments