review: teNeues cool notes – tested with 18 inks

This review has been in the pipeline for a while. I had the luck of winning this teNeues cool notes notebook in one of teNeues Twitter give-aways a couple of months ago – thank you teNeues – and was very anxious to try it – as always looking for the perfect notebook. The basics for my perfect notebook is that it has blank or discreetly dotted sheets that are smooth and neither too bright white nor too creamy. A rubberband is a must – how could I otherwise keep loose sheets and envelopes and cards, that are too big for the pocket, in order? A pocket is also a must – where would I otherwise put stamps and postcards and small notes and other small, flat things that I need when I carry the notebook with me. I almost always carry my personal notebook (journal) with me. I feel odd going out without my notebook and a couple of nice pens. I also want it to be the size (roughly) of an A5 – easy to put in even a smaller bag and big enough for longer writing sessions. Optimal is a bunch of detachable sheets in the back – I’d happily see as many as 20 detachable sheets. Then I don’t have to bring along an extra pad – just in case I want to write a letter.

Above to the left is one of the backsides of the writing tests. Both looked very similar, so I chose not to publish both.

That is the basics. To be a candidate for buying  another when the first is full, it simply must handle fountain pens in (at least ) a decent way and I want it to be overall pleasant to write with. It means:

  • No – or very minor feathering with most inks
  • Not too translucent paper
  • No – or very minor bleedthrough with most inks
  • It must be possible to use even broader nibs without causing a major bleed or feathering. I love writing with all my pens and I don’t want to be confined to use fine or extra fine nibs only.
  • I also like the paper to have a nice feel to it – and what that is depends from case to case.
  • It is nice if it is possible to choose between different sleeve colours

The teNeues is equipped with a rubberband and a pocket. The paper is discreetely lined on every other page and is blank on the other. I think this is a good feature for those who like to draw in their notebooks. This kind of use, however, makes it important that the paper isn’t prone to bleed through – to be able to use it fully and flexibly.

click on photo to view it in larger size

As some might remember I find Sweden quite retarded when it comes to writing culture and most interesting brands must be bought abroad or on the web. teNeues is an exception since they are quite well represented here. They are rather expensive ~$25 bought in store, but since our stores don’t offer the opportunity to test write in different notebooks (which would be really easy) the only good real advantage of buying in-store here is that it is fast and easy and that one doesn’t have to pay shipping costs. So, I was happy to get a free opportunity to try this notebook. I simply made samples with all my currently inked pens to get a broad range of nibs and colours and my first thought after writing around half of the samples was that I was surprised that the paper was better than I had expected. I had expected something like the Moleskine, but it was definitely better – particularly in regards to feathering.

The paper is not as good as Rhodia webbie standard or Habana standard (keep your eyes open for the coming review…) but it almost equals the Leuchtturm and and is a hinch better than the Letts of London. The feathering is not excessive. It does show some moderate feathering on some inks, but in most cases the feathering is minor. Since I only write on one page the bleed through isn’t much more than an aesthetical issue – but even so massive bleed through annoys me and I prefer non-bleeding paper. The bleedthrough is not more than moderate in most cases, but it is definitely there in almost all cases (see note beside each tested ink). Not even the F/EF japanese nibs wholly avoid bleedthrough, which I consider a quite big minus.

Positive

  • Smooth and nice paper to write on.
  • Minor feathering for most nibs.
  • The not too bright and not too creamy paper
  • Aesthetically pleasing. I love the pink/orange pattern inside the cover. A nice variation of the classical theme.
  • It feels well put together

Negative

  • Too much bleedthrough with most inks,
  • A little too much feathering for real broad nibs (read: Conway Stewart Bold Italics)
  • No detachable sheets
  • Only one layout option as far as I know – the odd/lined even/blank concept. It is good, but I’d love to see notebooks with different settings: blank, dotted, graph etc, as well.
  • The paper ought to be improved – then it has the possibility to compete with the others.

In all: I like it a lot – especially the design, but it will not be on my top three before the paper has improved and there is a possibility to chose between different page options like blank and dotted and lined pages.

Posted in aurora, caran d'ache, conway stewart, diamine, fountain pens, inks, iroshizuku, j herbin, lamy, Letts of London, Leuchtturm 1917, moleskine, montblanc, montegrappa, noodler's, note book, paper, pens, photo, pilot, Pilot Bamboo, Pilot M90, Pilot Vanishing Point, private reserve, reviews, rhodia, sheaffer, stipula, teNeues, visconti, writing, yard o led | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | 9 Comments

pretty in pink II – roses, lamy safari, pilot pluminix, iroshizuku & diamine

The scent of dog roses seeps into the study in the evening.  Above is one of the bushes that is guilty of this lovely fragrance. In fact – there is a scent of flowers almost everywhere and it is hard to be really annoyed now – if one keeps one’s eyes open and the nose alert for all lovely scents out there.

I was very happy when I realized that my new, pink Lamy Safari and Pilot Pluminix were the perfect partners to the explosion of dog roses. When I further realized that both were inked with the perfect inks for a pink post I got even more happy; Iroshizuku Momiji and Diamine Claret. So, this time the flowers picked the pens and inks instead of the opposite.

The Momiji was sent to me by a very kind friend that thought I’d like it and it has a real special colour – hard to compare with any other ink I’ve tried. Pinkish, but not pink, warm, but not brickish. Not truly red, not real pink – somewhere in between and warm, warm, warm. I hadn’t even considered this ink before I got it – I thought it was the kind of pink-red that I usually dislike, but instead it proved me wrong. It is liberating to get one’s prejudices bashed from time to time. The only problem with my love of this original colour is the price increase on the Iroshizuku inks. (see discussions at Fountain Pen network here and Dizzy Pen here for example).

I’ve currently two pens loaded with this ink – the Lamy Safari with a 1.1 mm italic and a luscious flexy nib. It is redder in a wet nib, but still have its hard-to-define hue.Another feature is the colour shift that it goes through. When put to paper it is similar to the Diamine Claret featured above, but as it dries it transforms into this special warm, elusive colour. I’ve not used it long enough to do a full review of it, but so far it is very well behaved – both in the Lamy Safari and my Sheaffer with a flexy nib. It lubricate very well and makes both nib even smoother. I put it beside the Diamine Claret since showing the two colours side by side makes it easier to see how they look. Click on the pics for bigger versions. I think the colurs are rather well represented in these photos – at least on my screen.

While the Momiji is warm and elusive, the Claret is an indisputable cold pink/cerise ink – firmly rooted in the cold and the pink. The Claret is a fun and happy ink too, but they are very different. That both inks were loaded in one relatively unexpensive pen (the Lamy Safari) and a cheap pen made me happy, since it allowed me to feature two quite affordable pens. Both sporting italic nibs. In short I think that both gives very good value for the money. The Safari is an excellent pen for the price – well built, sturdy and the 1.1 mm italic is a real nice italic. The flow is good and the nib is smooth and allows rather fast writing without skipping. The Plumix – a little more than a third of the price of the Safari – also gives good value for the money, but it is indisputably inferior to the Safari when it comes to build and nib. Even so: the nib is very good considered the price and  it is a nice little pen which provides an affordable opportunity to try a decent italic without shelling out loads of money. It sports international cartridges – unlike Pilot’s more expensive pens and can house a short converter. Both pens are thus affordable pens made for use, which I consider very pleasant. I also want to add that the Rhodia dot pad used for jotting down the colour samples is a very nice new acquaintance – also sent by a kind friend in the US since they can’t be found here – yet.

Posted in colour, diamine, flower, fountain pens, inks, iroshizuku, lamy, pens, photo, pilot, pink, rhodia, summer | Tagged , , , , , , , , , , , | 7 Comments